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<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">萝赛李奥(埃默罗德·图比亚 饰)是一名成功的华尔街股票经纪人。某天,萝赛李奥..
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恐怖猴玩偶
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<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);"> Upon their mother’s death, siblings J..
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<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">After the shocking discovery of an unc..
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禁止进入
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内详  /
<p>  两个正在“成名路上”摸爬滚打的工薪阶层YouTuber,为了取回不小心丢进一座废弃豪宅的篮球,决定进入这个诡秘的地方。他们在屋里互相恶作剧,打闹嬉戏,还用手机记录下这次“短暂冒险”。为了吸引更多粉丝,他们在视频里特意添加了一个假鬼影效果。没想到,视频一经上传就迅速走红。<br/>  于是,他们发起一个大胆挑战:如果视频播放量达到预定目标,他们将会在深夜再次进入这..
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独自赴死
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<p>  Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.</p>
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葬送
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<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">A grieving mother hires an enigmatic s..
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《我有毒》剧情介绍

影视大全提供影视作品我有毒高清全集在线观看的影视全集网,恐怖片《我有毒》全集作品的导演是Daniel de la Vega  Pablo Parés   ,由Esteban Prol  Horacio Fontova  Sergio Podelei  Gastón Cocchiarale  Fini Bocchino  Verónica Intile  Goyo Escardó  Demián Salomón  Rodrigo Ferreyra  主演,我有毒在豆瓣的评分为0.0,本片由小编于2025-03-09 10:08更新,希望大家喜欢,可以把《我有毒》推荐给你朋友,本作品的地址为 https://india69.com/movie/index67808.html

《我有毒》简介:<p>  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).<br/>  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.</p>

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